- The commercial model of health care states that quality health care (QHC) hinges upon one's ability to pay monetarily for the services of medical professionals.
- Ability to pay for such health services is determined by one's ability to either acquire money oneself – for example, through employment – and/or one's ability to solicit charity from others – such as from acquaintances or family members.
- Among others, the conditions of stable personal employment requires that one be able bodied and able minded (i.e. not disabled or critically ill) and have received years of support from others in the form of constructive upbringing and formative education.
- Both such conditions are out of one's control in that one cannot choose one's physical capacities and susceptibility and/or immunity to disease before birth (and in many cases after birth), and because one cannot control the actions of others (esp. as an infant, when one is most vulnerable).
- Soliciting monetary charity from others, be it children from parents or stranger from stranger, is out of one's control for the same reason -- the actions of others are out of one's control.
- Thus, in either case, the ability to pay monetarily for QHC is out of one's control.
- Yet, irrespective of one's ability to pay, all humans are mortal, and being mortal, all humans are in need of QHC from time to time in order to continue to lead constructive lives.
- Either no one deserves QHC, everyone deserves QHC, only those who can pay monetarily for QHC deserve it, or desert hinges upon a hitherto unarticulated matter.
- If no one deserves QHC, then neither mortal need nor the ability to pay for QHC matters.
- If everyone deserves QHC, then the commercial model is problematic, for it neglects those mortals who cannot pay for it.
- If only those who can pay deserve QHC, then mortal need does not matter – what matters is only the chance (out-of-one's-control) circumstance that one is able to pay.
- Given that QHC depends upon the actions of many individuals other than oneself, including those who developed medical science and care over the course of thousands of years, and given that it is both out of one's control whether one was born today and not (say) 10,000 years ago (or before the development of medical care), it is also out of one's control that one lives in a time wherein health care is a commercial transaction.
- Thus, one does not deserve QHC simply because one can pay for it – for the historical development and present existence of medical care is out of one's control in the same way that a society of commercial transactions is out of one's control.
- Thus, we are left with a choice between no one deserving QHC, everyone deserving QHC, or desert hinging upon some other factor than ability to pay.
Tuesday, October 17, 2017
Ability to Pay is Out of One's Control: An Argument Against the Commercial Model of Health Care
Labels:
Commerce,
Health Care,
Money,
Philosophical Argument
Saturday, June 10, 2017
Health Care and the Community: Thoughts Presented at a Social Justice Forum
What I'd like to bring to your attention on the topic of health care and the community, is the
degree to which persons of low income can be trapped in qualitatively poor
health care. Recently this problem entered directly into my life, as I have been diagnosed and treated for advanced skin cancer over the course of the last year. As I came
to realize, there is a marked difference between health care and health coverage.
At present – while there may be ever wider health coverage (health
insurance, say) – we are still a community where quality of care, that
is the ability to receive proper medical support and treatment in a timely
manner, hinges upon income (or wealth). Your ability to pay more money than
I for coverage, means that you are entitled to a greater quality of care
than I.
Yet, there is of course a problem here: Equating health care with a commercial transaction, neglects the fact that quality health care is a requirement of continued human existence, not to mention human flourishing. Quality care is like quality food or clean water: without these you soon perish. It doesn't matter whether you are wealthy.
But
when it comes to the fair and equal distribution of quality health care as a
resource, our community turns to money. How will we pay for it? is often the
first question. Notice in this reflex, that money and self-protection so easily
come to mind. How will we pay for it? The impulse here is the
same impulse that has us walk past a homeless person with our eyes ahead, and
the moral imagination only on oneself: I hope no one sees me ignoring
them. When we are insulated by quality health care it is not so hard to fall
into a similar kind of thinking: Yes I've heard about the quality crisis, but
someone else (the government, say) will fix it; meanwhile I have good quality
care.
Well,
in a small effort to stimulate our moral imagination, I'd like to share a bit
from my own experiences being trapped in poor quality health care while in the
grips of a life threatening illness.
So, three years ago – when I was twenty five, and still covered by
my parents high quality health insurance – I noticed a weird mole on my left
hand. To make a long story short: while it was ultimately thought benign, some
of it's pathological properties were concerning. While skin cancer doesn't run
in my family, as a precaution I was asked to see an oncologist and take ct scans
for a two year observation period.
Moving forward two years: In May of last year – right after my
final ct scan had been all clear – my wife –who was my girlfriend at the time,
noticed a lump on my left arm. While I thought it was some kind of a cist which
I had experienced before, given my history I went to have it checked out by my
primary care doctor a few days later, and he authorized an ultrasound referral
for me.
Now,
at this moment in time I was a full time graduate student covered by Medi-caid
– I qualified for California's Medi-cal program because while I worked part
time, I didn't make enough money to be allowed to purchase publicly subsidized
insurance (like Obamacare). Nor, of course, was it financially feasible for me
to purchase private insurance.
I mention this because bureaucratic delays and high patient volume
are well known in Medi-caid clinics, and would indeed be routine during my
care. After waiting a few weeks I was informed that the first available
appointment was the beginning of September - three months away!
So, September roles around, and the ultrasound looks concerning to
the radiologist. A biopsy is performed. The biopsy results take a month to come
back, but when they do I'm told that the growth is cancerous. Surgery is prescribed.
But there are more delays, such that it was not until late October, almost five
months after signaling the alarms with my primary care doctor, that the
original tumor, all of my lymph nodes in my left armpit, and a newly developed
tumor, are surgically removed.
As you know, when it comes to cancer the sooner you catch it, the
better. Simply given the delays I faced, it is likely that a treatable disease
became a chronic or terminal illness. I recently read a study from the Case
Western Reserve School of Medicine in Cleveland which indicated that "patients
were two and a half times likelier to be diagnosed with late-stage melanoma if
they were covered by Medicaid" as opposed to being diagnosed at an earlier
stage with private insurance. No doubt delays play an important role in this
data.
But unfortunately, diagnostic and scheduling delays are not the
only issue. Doctor appointments often took all day: I'd arrive for a 9am
appointment and not leave until 3pm or sometimes 6pm. Bear in mind that I'm a
full time graduate student working part time during all of this, and when I'd
arrive at the clinic, thirty or forty people would also be there waiting, due
to overbooking.
More troubling, was that more times than not I would be treated by
a medical Fellow I had never met before and knew next to nothing about my case,
despite the fact I had been receiving treatment there for months.
The
fact that no one was really acting as my doctor, it seems to me, led to a
number of absurdities that I experienced with my subsequent treatment after
surgery. First, when it came time to receive
radiation treatment a few weeks after recuperating from my surgery the short
window of time in which radiation is viable was mishandled and I never received
it.
The
next few absurdities are related. In January of this year – another ct scan
showed that the cancer had spread to my liver and lungs. This was a great blow.
Looking at the five year survival curves for stage four melanoma, and then
realizing you are subject to the same prognosis is nearly unfathomable in your
twenties.
As
soon as they saw cancer in my liver and lungs, I was put on what's called
targeted therapy – drugs designed to slow the growth of cancer. The issue, as I
learned later, was that there is a high chance of toxicity when taking targeted
therapy in combination with the immunotherapy drug I was also receiving since
November. While I fortunately didn't have to learn this first hand, there was
nevertheless a 30% chance I could have developed a ruptured colon from
receiving both treatments – something I was not informed of at the time. In
fact, the two drugs are never prescribed together.
The
next absurdity was that my insurance denied me the targeted therapy I just
mentioned. On the same day I was told I was stage 4, the head of the oncology
department gave me a two week supply of the drugs – which were FDA approved –
and wrote me a prescription. These samples ran out while myself, my girlfriend,
and my mother battled with the insurance company. In the bureaucratic maze, no
one could tell us why the drugs were denied until five weeks later: a different
set of targeted therapy drugs that did the same thing were preferred, but they
failed to make this clear to the doctors or to myself.
The
last absurdity I will relay, although I could go on, is perhaps the most
symbolic of how income inequality determines quality of care:
I
shall have to simplify this for time, but a week after I had ran out of the
samples of the targeted therapy drugs had an appointment at the oncology
clinic. A medical fellow I had never met before saw me, and I explained the
battle I was having with the insurance company. I then asked the most obvious
question: Might there be any more samples I could have? The fellow said that
she was surprised that I was given samples at all: they were generally not
given to county patients on Medi-caid, and instead reserved for patients at the
fancy university cancer clinic down the street.
The
irony is that previously, when I was on my parents insurance, I had myself been
a patient at the fancy university cancer clinic.
Needless
to say, I didn't get any more samples. I found myself dying of a disease that
was itself preventable if properly treated. I found myself being denied (what I
thought was) life saving treatment because I didn't make enough money to be
qualitatively insured.
Anyway,
after this absurd and intense period of delays, denials, and bureaucratic
nihilism, myself, my girlfriend, and my family decided that we would pay out of
pocket to see a melanoma specialist. This ended up being the right path. After
extensive reasearch, we lucked into getting a consultation in February with one
of the foremost experts of melanoma, and decided that I should be under his
care.
But
like everyone in my circumstance (except potentially Warren Buffet), I couldn't
pay out of pocket for treatment when one months worth of prescriptions would
total $10,000's and a standard PET scan cost nearly the same amount.
My
way out was that I was in a loving relationship, and so had an additional
option denied by most: get married, and assume health insurance together.
So,
Leanne and I went and got married first thing on a Monday morning in February
so that I would have reasonable insurance and be able to see our current
doctor. By March we were covered by Obamacare, affording us the possibility of
being treated with the quality of health care necessary to someone of my
circumstance.
Now,
at a Phase 1 trial clinic, all of my appointments are coordinated professionally,
scans can be scheduled at a days notice, and support is granted whenever it is
needed – I can essentially call my oncologist or a nurse who knows me and my
case anytime.
I
would like stress that through all that I have shared, I was the lucky one: I
had a team of people researching and making phone calls, I had the privilege of
a graduate education, and unlike many of the people I witnessed at the county
clinics, speaking English wasn't a challenge to me.
Nevertheless
the kind of neglect I experienced and witnessed in our health care system seems
to me indicative of an invisible dark side of our community – a dark side that
our current administration is a symptom of. It should be alarming to everyone
that the dialogue about health care begins with money, esp. when no one would
seriously challenge that quality care is a basic necessity (in the league of
clean water). If there is a way out of the neglect and entrapment I've spoken
of, I would wager that it starts with cultivating in ourselves and especially
in our youth, a moral imagination suitable for citizens of a democracy. My
experience in public schools growing up was that controversial topics –
political, religious, ethical – were off limits for discussion. If we produce
citizens incapable of critically discussing such things, we produce citizens
who cannot fight the dark side of the community, the side that consumed by the
impulse of self-protection, fails to recognize the interconnectedness of all
life and our responsibilities to one another.
Labels:
Health Care,
health coverage,
health insurance,
Medicaid,
Melanoma,
Obamacare,
The Community,
thoughts
Sunday, October 4, 2015
Excerpt from "A Man of the People" by Ursula K. Le Guin
"After a long silence, he nodded.
She sat
stricken, understanding that she had won. She had won badly.
She reached
across to him, trying to comfort him and herself. She was scared by the
darkness in him, his grief, his mute acceptance of betrayal. But it wasn't
betrayal - she rejected the word at once. She wouldn't betray him. They were in
love. They loved each other. He would follow her in a year, two years at the
most. They were adults, they must not cling together like children. Adult
relationships are based on mutual freedom, mutual trust. She told herself all
these things as she said them to him. He said yes, and held her, and comforted
her. In the night, in the utter silence of the desert, the blood singing in his
ears, he lay awake and though, 'It has died unborn. It was never conceived.'
They stayed
together in their little apartment at the School for the few more weeks before
Tiu left. They made love cautiously, gently, talked about history and economics
and ethnology, kept busy. Tiu had to prepare herself to work with the team she
was going with, studying the Terran concepts of hiearchy; Zhiv had a paper to
write on social-energy generation of Werel. They worked hard. Their friends
gave Tiu a big farewell party. The next day Zhiv went with her to Ve Port. She
kissed and held him, telling him to hurry, hurry and come to Terra. He saw her
board the flyer that would take her up to the NAFAL ship waiting in orbit. He
went back to the apartment on the South Campus of the School. There a friend
found him three days later sitting at his desk in a curious condition, passive,
speaking very slowly if at all, unable to eat or drink. Being pueblo-born, the
friend recognized this state and called in the medicine man (the Hainish do not
call them doctors). Having ascertained that he was from one of the Southern
pueblos, the medicine man said, 'Havzhiva! The god cannot die in you here!'
After a
long silence the young man said softly in a voice which did not sound like
his voice, 'I need to go home.'
'That is
not possible now,' said the medicine man. 'But we can arrange a Staying chant
while I find a person able to address the god.' He promptly put out a call for
students who were ex-People of the South. Four responded. They sat all night
with Havzhiva singing the Staying Chant in two languages and four dialects,
until Havzhiva joined in a fifth dialect, whispering the words hoarsely, till
he collapsed and slept for thirty hours.
He woke in
his own room. An old woman was having a conversation with nobody beside him.
'You aren't here,' she said. 'No, you are mistaken. You can't die here. It
would not be right, it would be quite wrong. You now that. This is the wrong
place. This is the wrong life. You know that! What are you doing here? Are you
lost? Do you want to know the way home? Here it is. Listen.' She began singing
in a thin, high voice, an almost tuneless, almost wordless song that was
familiar to Havzhiva, as if he had heard it long ago. He fell asleep again
while the old woman went on talking to nobody.
When he
woke again she was gone. He never knew who she was or where she came from; he
never asked. She had spoke and sung in his own language, in the dialect of
Stse."
--Ursula K. Le Guin, "A Man of the People," Four Ways to Forgiveness (Harper Perennial, 1995), pp. 153-155
Tuesday, September 15, 2015
A Challenge to Impersonalism of Philosophic Space: From Red Mars
"The only part of an argument that really matters is what we think of the people arguing. X claims a, Y claims b. They make arguments to support their claims, with any number of points. But when their listeners remember the discussion, what matters is simply that X believes a, and Y believes b. People then form their judgment on what they think of X and Y."
Kim Stanley Robinson, Red Mars (Bantam Spectra, 1993), p 77.
Kim Stanley Robinson, Red Mars (Bantam Spectra, 1993), p 77.
Sunday, September 13, 2015
In The Shade
You come out here on some old hunt
limping
from formative wounds
dents to the fender
Friendless, new, shy
your eyes spin and squint
from culture shock and sun
Everyone who passes by
you think-ask:
Won't you come kiss me
hold me
share this warmth
hold me
share this warmth
by the air-conditioner?
Stare into my eyes
under the ceiling fan?
In the shade
with your daemon
with your daemon
squirt gun in hand
a pack of sandwiches
upon your lap
you'll wait
heavy
heavy with knots
not drawn here
tired from the bad chemicals
that follow
upon your lap
you'll wait
heavy
heavy with knots
not drawn here
tired from the bad chemicals
that follow
Friday, September 4, 2015
Movies I Like: L'Illusionniste
For some reason I want to say a few things about a handful of movies that I like. I don't know...
Ok (no order):
1. L'Illusionniste (The Illusionist - 2010). This is a hand drawn (romanticized-realist?) animation about a traveling magician and a protege he picks up along the way - a pretty young girl. There are no words; well, actually, there are Englishy mumbles, but that's as far as it goes. I had this movie saved to my parents DVR and would watch it before going to bed when I lived there. A kind of salve. I'm wondering if this has to do with the quality of whimsy present. A graying, middle aged whimsy. One doesn't leave this movie feeling bad.
There are parts of L'Illusionniste that I always want to watch (this is a preoccupation of mine, which will make other appearances in "Movies I like" to come) - like the magician taking boat rides out to Scotland, with all this wonderful green overcastness. God... And the music hits the spot - soulful soft classical piano, often in breathtaking waltz timing, occasionally accompanied by xylophones, jazz drums, and another thing or two. Clean and well-wishing, in an elderly way (as though you are spending the day with a sophisticated grandparent, and, incidentally, you two go to a doughnut shop and sip strangely good coffee and eat two frosting donuts, one with coconut and the other with chocolate chips). Reminds me of parts of Michael Giacchino's Up's score, but less heavyhanded with the melancholy/nostalgia. Here is an example.
As far as what the movie is about, to be honest I'm not really sure. I'll have to watch it again with that project in mind. I wasn't watching it for plot, though, and so it's hard to say what the meaning of the thing is. I've been taking it in episodically - to borrow Galen Strawson's term (see this paper for a run down on what episodism means, if you are interested). Nevertheless, I've seen the movie enough to know that the plot is like this: An understated, underdog-like magician performs in some big city, then travels to Scotland to perform, then travels back to the continent to perform, where he strikes the fancy of a girl (I'm thinking 15-18 years old) who follows him as a kind of stowaway. They eventually come to share an apartment, and the girl seems to want to learn magic - she thinks it's real, and the magician is having difficulties telling her to the contrary. Anyway, the magician is having a hard time getting any more gigs - as are all the other entertainment persons that surround them (clowns, gymnasts, etc.) - and he takes up other means of employment. The girl is presented with gifts (a coat, shoes, a dress) throughout the movie by the magician, and comes to affect some poise. This gains her the interest of a young man in town. When the magician sees them together, he decides to leave her some money and a note ("Magicians do no exist."), before taking a train out of town. We see the magician look at a handheld photograph longingly as he rides away (in fact, he eyeballs the photo a few time during the movie).
Maybe it has something to do with the destructive ramifications of consumerism. Maybe not. I tend to think everything I encounter now has this theme. I should probably look into that. The movie also seems to be about loss or something like that. I wouldn't have emphasized this connection, though, without reading the wikipedia page.
I will say, though, that fortunately, L'Illusionniste is not about a romance between the young woman (maybe girl?) and the middle aged magician. Every time I show L'Illusionniste to a friend, they always think it will go in that direction. But it doesn't. There is a purity about the movie. Maybe that's not quite right.
In any case the full movie is here.
I wonder what you think.
Ok (no order):
1. L'Illusionniste (The Illusionist - 2010). This is a hand drawn (romanticized-realist?) animation about a traveling magician and a protege he picks up along the way - a pretty young girl. There are no words; well, actually, there are Englishy mumbles, but that's as far as it goes. I had this movie saved to my parents DVR and would watch it before going to bed when I lived there. A kind of salve. I'm wondering if this has to do with the quality of whimsy present. A graying, middle aged whimsy. One doesn't leave this movie feeling bad.
There are parts of L'Illusionniste that I always want to watch (this is a preoccupation of mine, which will make other appearances in "Movies I like" to come) - like the magician taking boat rides out to Scotland, with all this wonderful green overcastness. God... And the music hits the spot - soulful soft classical piano, often in breathtaking waltz timing, occasionally accompanied by xylophones, jazz drums, and another thing or two. Clean and well-wishing, in an elderly way (as though you are spending the day with a sophisticated grandparent, and, incidentally, you two go to a doughnut shop and sip strangely good coffee and eat two frosting donuts, one with coconut and the other with chocolate chips). Reminds me of parts of Michael Giacchino's Up's score, but less heavyhanded with the melancholy/nostalgia. Here is an example.
As far as what the movie is about, to be honest I'm not really sure. I'll have to watch it again with that project in mind. I wasn't watching it for plot, though, and so it's hard to say what the meaning of the thing is. I've been taking it in episodically - to borrow Galen Strawson's term (see this paper for a run down on what episodism means, if you are interested). Nevertheless, I've seen the movie enough to know that the plot is like this: An understated, underdog-like magician performs in some big city, then travels to Scotland to perform, then travels back to the continent to perform, where he strikes the fancy of a girl (I'm thinking 15-18 years old) who follows him as a kind of stowaway. They eventually come to share an apartment, and the girl seems to want to learn magic - she thinks it's real, and the magician is having difficulties telling her to the contrary. Anyway, the magician is having a hard time getting any more gigs - as are all the other entertainment persons that surround them (clowns, gymnasts, etc.) - and he takes up other means of employment. The girl is presented with gifts (a coat, shoes, a dress) throughout the movie by the magician, and comes to affect some poise. This gains her the interest of a young man in town. When the magician sees them together, he decides to leave her some money and a note ("Magicians do no exist."), before taking a train out of town. We see the magician look at a handheld photograph longingly as he rides away (in fact, he eyeballs the photo a few time during the movie).
Maybe it has something to do with the destructive ramifications of consumerism. Maybe not. I tend to think everything I encounter now has this theme. I should probably look into that. The movie also seems to be about loss or something like that. I wouldn't have emphasized this connection, though, without reading the wikipedia page.
I will say, though, that fortunately, L'Illusionniste is not about a romance between the young woman (maybe girl?) and the middle aged magician. Every time I show L'Illusionniste to a friend, they always think it will go in that direction. But it doesn't. There is a purity about the movie. Maybe that's not quite right.
In any case the full movie is here.
I wonder what you think.
Saturday, August 29, 2015
Initiation Song from the Finder's Lodge
Please bring strange things.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
and the ways you go be the lines on your palms.
Let there be deep snow in your inbreathing
and your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well loved one,
walk mindfully, well loved one,
walk fearlessly, well loved one.
Return with us, return to us,
be always coming home.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
and the ways you go be the lines on your palms.
Let there be deep snow in your inbreathing
and your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well loved one,
walk mindfully, well loved one,
walk fearlessly, well loved one.
Return with us, return to us,
be always coming home.
- - Ursula K. Le Guin
- From Always Coming Home (Harper & Row, 1985)
Labels:
a poem,
always coming home,
quote,
ursula k le guin
Subscribe to:
Posts (Atom)